May, 2010

Can using Twitter help commercial artists with their bottom line?

@ADBASE recently published an article called “Will Tweet for Food” about how Twitter can help commercial artists make money, featuring insights from Rosh Sillars (@newmediaphoto), Mati Rose McDonough (@MatiRose), Jessica Swift (@jessicagswift) and me.

Can using Twitter help commercial artists with their bottom line? If you’re read anything I’ve written or said over the years, you’ll probably know that my answer is “yes, as long as…”. In short, “Start with the why. Then figure out the how.”

Here’s my contribution to the ADBASE article Will Tweet for Food written by Tiffany Meyers:

I started tweeting in August 2007. Twitter was different then; this was before its applicability for business development or personal promotion was truly understood. It was fun, loose– a way for me to tap into a community I didn’t see every day. Now, it’s a part of my daily life and business.

You get out of Twitter what you put into it. Photographers are told to “shoot what you want to be shooting,” meaning that your portfolio should show what you want to shoot as much as what you’ve historically shot. Similarly, you should “tweet what you want to get out of tweeting.” If you only tweet about what you eat, then you’ll probably only connect with people who do the same.

I have definitely gotten new business from tweeting, although not from a direct “I tweeted this, and I got this bit of business.” Business comes from the relationships we create and maintain by participating in this kind of public communication. At the end of the day, people are the engines behind businesses, and Twitter is about people connecting to people.

People should also remember that there is no overnight success in social media. It takes a long time for your investments in social media to pay off. We all understand it takes time and experience to be a great photographer: The same goes for social media.

But there’s more than just anecdotes and general advice: want some data about how photographers use social media and how it has impacted their bottom line? Check out the results of the Social Media Photography Survey 2009 run by friend and photographer Jim Goldstein and I in the fall of 2009.

*The Future of Stock Photography* at the CEPIC New Media Conference

I’m participating in a panel about “The Future of the Stock Photography” at the CEPIC New Media Conference June 9th in Dublin, Ireland. Yes, I’m excited. And if you’re there, I’d love to meet.

*The Future of Stock Photography*
Ellen Boughn asked me to contribute to a panel at the CEPIC New Media Conference where I’ll be joining Shannon Fagan, Kelly Thompson and Cathy Yeulet to discuss “The Future of Stock Photography”. Ellen has brought together an interesting mix of professionals from the photography industry to hash out some big issues faced by professionals in the stock photography industry (and by parallel, the larger stock media business).

Our panel is at the end of a day of talks and panel discussions about microstock, photo metadata, new media tools and stock video from a variety of respected industry professionals and analysts.

I’m looking forward to it, but that’s just a small part of what I’ll be doing in Dublin.

“Before the Future”, June 8th
Ellen, Shannon, Lee Torrens and I will be hosting an invite-only social mixer called “Before the Future” on the night of June 8th before the New Media Conference kicks off the next day. Our goal is to bring together a diverse set of thinkers in the photography industry and create thoughtful and valuable conversations and connections between people driving the future of the photography industry. And, well, have a good time.

Thank you to Jonathan Ross and Spaces Images for sponsoring the mixer; contact me if you’re interested in joining the mixer as a sponsor.

CEPIC Congress, June 10 to 13
The New Media Conference is the kickoff to the CEPIC Congress, a larger three-day conference and trade show for the image industry which runs from June 10 to the 13th. I’ll be attending the conference and enjoying the range of people and conversations that conferences like CEPIC help create. I’d love to meet you if you’re there; best way to make sure we’ll meet is to schedule a short introductory meeting during the Congress.

I will also have time to schedule a few select paid hour-long consults in Dublin. As usual, I’ll be helping people and companies:

Contact me at taylor@narratively.com or via my website to set up appointments. I’m looking forward to helping.

 

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