November, 2009

I love the street food in Asia.

What I love about street stall eateries in Asian cities.

Delicacies, Kuala Lumpur, Malaysia
Delicacies, Kuala Lumpur, Malaysia

I love the street stall eateries in Asian cities.
I love the easy pace, the small bit of calm and sense of time standing still amid the bustle of the streets just an arm’s reach away.
I love the dripping water, the oily cooking surfaces, the small bits of cleanliness amid the dirty street and abundant trash.
I love the printed “menus” taped to the oily glass panes partitioning the “kitchen” from the street.
I love the prices, cheap enough to let me try things I may not like without any regret.
I love the hardened chefs, the women and men that labor day and night with bored looks and swift hands.
I love the heaps of food that I don’t recognize, or know the names for, but will order nonetheless, with a bit of pointing and butchered pronunciation.
I love the plastic garden chairs, the cheap plates, flimsy forks and plastic chopsticks.
I love the big plastic bottles of sauces, one of them which will surely upset my mouth, stomach and head.
I love the little trays of assorted spices that I have to taste to figure out what they are.
I love the chatting, bored, animated fellow diners scattered in small groups around me.
I love sitting down to eat, not knowing what everything is or tastes like, if it will be sweet, sour or salty.
I love the looks from locals at the obviously lost foreigner.
I love the food.

But that’s just me.

Working Nowhere and Everywhere: The Zen of Running A Virtual Studio

A presentation about “Working Nowhere and Everywhere: The Zen of Running A Virtual Studio” by Christopher Natsuume, focusing on eight tips on how to run a virtual office.

You probably already know that creating better organizational and incentive structures for collaboration and value creation is a big interest of mine; below is a presentation that provides eight tips for how Christopher Natsuume puts it into practice for Boomzap, a casual game development studio headquartered in Singapore that leverages a distributed, virtual workforce to tap into quality games developers and artists across Southeast Asia.

I’ll admit I’m biased because Chris is my cousin, but as I’ve mentioned previously, he’s doing good stuff and living a life too cool to ignore.

Below, the embedded presentation:

 

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